Synopsis :
The film kicks off with a young Pakistani girl, Nargis (Priya Gill), getting news from her army general father (Dilip Tahil) that she is going to be married to Mubarak (Akshaye Khanna). Like in “Dilwale Dulhaniya Le Jayenge,” Nargis wishes to travel freely one last time before being tied down in a marriage. Off she goes to India with her grandmother (Dina Pathak).

The two of them stay in Jamail Singh’s (Dara Singh) house in India. Jaimail’s sons are both in the Indian army, but have come back home from the border to celebrate their sister’s (Mink Singh) wedding. Exactly as in in “Hum Aapke Hain Kaun,” Jaimail’s youngest son, Raj (Faisal Khan), falls in love with Nargis during the wedding festivities.

Like in “Border,” however, the young men of Jaimail’s family are called back to duty on the border. Nargis returns to Pakistan, but not before declaring her love for Raj. Aditya Pancholi plays Raj’s older brother, a high ranking officer in the army, who suspects an insidious plan by Kashmiri militants. To his convenience, however, he finds that one of the militants has a twin, separated at birth, who is a patriotic Indian. The twin goes undercover and discovers plans for a joint army-terrorist attack from Pakistan. A major battle is about to begin!

Meanwhile, Nargis’ father finds out about her love affair, and goes to great lengths to ensure that Raj is killed in the upcoming battle. He tries to force her to marry Mubarak. But Mubarak turns out to be a lot like Ajay Devgan’s character from “Hum Dil De Chuke Sanam!” He rushes out of the wedding ceremony with Nargis and promises to take her to Raj. Then, like in “Gadar,” the entire Pakistani army is sent after Mubarak and Nargis to stop them.

Will the Indian forces be able to prevail over the evil terrorists? Will Raj survive the specific attacks on his life? Will Nargis be forced to marry Mubarak? Or will Mubarak succeed in reuniting the lovers on the battlefield? To find the answers to these questions, one must sit through one of the most unapologetically derivative and bland films of all time